プロジェクトプロンプト
CYBERPUNK CITY RACING — 30-SECOND ACTION SCRIPT
[GENERAL SETTINGS]
Duration: 30 seconds total, divided into seven action beats.
Tone and Visual Style: High-speed racing animation set in a neon-lit industrial city late at night, just after the rain. Combine three-dimensional characters, bikes, and architecture with crisp anime-style speed lines, water spray, and metallic sparks. The route begins beneath an elevated railway and continues through a sharp bend, a tunnel, a change in road level, and a series of corners. Favor dynamic compositions that show the riders' full bodies together with their bikes, making each action large and clearly readable.
Audio: Original electronic music driven by fast beats and gritty synth bass. The track starts the instant the headset is activated. Motor acceleration, rushing wind, tires cutting through water, and metallic scrapes lock into the rhythm. Reverberation grows inside the tunnel. The bass briefly drops out during the jump, then slams back in on landing. No dialogue or narration.
[CHARACTERS AND VEHICLES]
Male Rider: Dark brown skin, a lean, muscular build, an angular face, and thick, irregular black dreadlocks. He wears large square-framed glasses with clear, gray-tinted lenses that leave his eyes visible. Dense black tattoos cover his neck, upper chest, and arms, with small strips of white tape on his shoulders and arms. His outfit consists of a light gray tank top, loose black pants, a black strap running diagonally across his torso, and a belt with a silver buckle. At his waist are magenta and black pouches topped with round lens-like components, chains, yellow straps, a turquoise keychain shaped like a small electronic device, a red octagonal charm, and a black and magenta accessory shaped like a mask. He wears silver piercings, a broad metal wristband, and a small matte ear-hook headset fitted closely behind his ear. His hands are bare.
Female Rider: Fair skin, short, spiky black hair with violet and magenta accents, heavy eye makeup, and dark purple lipstick. She wears long, pointed silver earrings and a wide black choker. Her asymmetric black and deep purple cropped top is layered with straps, silver eyelets, and buckles. A jacket with wide sleeves is worn slipped below her shoulders. She wears very short asymmetric bottoms, multiple layered waist belts, long decorative straps, and studded wrist cuffs, with her fingers exposed. Her black and purple boots rise to just below the knee and feature multiple buckles, front cutouts, and thick platform soles. Two swords are secured in scabbards on her back, with their handles projecting above her shoulders.
Vehicles: Fictional electric racing bikes with low, angular bodies, exposed frames, and narrow twin headlights. The male rider's bike has a gunmetal body and a teal taillight. The female rider's bike has matte ivory panels and an amber taillight. Anonymous competitors ride around them on bikes in neutral colors, wearing similarly muted helmets.
Continuity and Visual Rules: Both lead riders ride without helmets or visors, leaving their hair and faces exposed. Keep the man's glasses and both riders' clothing and accessories consistent throughout. Do not include logos, brand names, product names, game titles, or legible text on clothing, props, vehicles, or the environment.
[30-SECOND COMPLETE SCRIPT]
00:00–00:02 | MUSIC-TRIGGERED LAUNCH
On the wet road beneath the elevated railway, frame both riders in a front three-quarter medium-wide shot. The man taps the headset behind his ear, triggering a heavy bass hit, and immediately returns his hand to the handlebar. Both riders lower their torsos and launch with the pack. The camera drops close to the road and joins the accelerating group. Broad bursts of water spray and teal and amber taillight trails emphasize the force of the launch.
00:02–00:06 | FRONT-WHEEL LIFT AND RAPID OVERTAKES
In a low side-tracking shot, the male rider briefly lifts his front wheel under acceleration and surges past a rival on the outside. He shifts his torso forward to settle the wheel back onto the road as the female rider darts into an open racing line on the opposite side and draws alongside him. Keep both riders' full bodies, their bikes, and the gaps between vehicles visible as the overtakes continue. Dreadlocks and jacket sleeves stream backward. The motor pitch climbs as foreground support columns and road lights streak through the frame.
00:06–00:11 | RIVALRY THROUGH A SHARP TURN
A wide front three-quarter shot reveals a long, sweeping curve. The female rider leans her body and bike deep into the inside line, overtaking the man. He follows a wider outside line and closes the gap again at the exit. The camera rolls with the bikes' lean, keeping the riders' full bodies and tire contact with the road visible. Huge fans of spray sweep through the neon reflections across the asphalt. As the bikes come upright, the tunnel entrance appears ahead, and both riders charge straight into it.
00:11–00:16 | TUNNEL CONTACT AND A SPLIT OVERTAKE
Inside the tunnel, the competitors ahead squeeze the available racing lines. The side of a rival's bike briefly scrapes against the male rider's bike, throwing a long streak of golden sparks. He absorbs the jolt through his body and immediately regains his balance. As the tunnel widens, he takes the outside line while the female rider takes the inside, and they pass the competitors on opposite sides. A low rear three-quarter tracking shot follows the contact and breakthrough in one continuous flow. Repeating ceiling lights and the two taillight colors stretch into long streaks. Metallic scraping and reverberating motor sounds cut through the music.
00:16–00:22 | TWO-BIKE JUMP AND LANDING
The riders hit the steel ramp at the tunnel exit one after the other, launching over the step down in the road toward the lower connecting roadway. In a wide side view that includes both the ramp and the landing surface, the two bikes are briefly airborne side by side, with city lights and water droplets spreading out behind them. Use brief slow motion only at the apex of the jump, then return to real-time speed for the landing. The suspensions compress and the riders' arms and legs bend deeply to absorb the impact before recovering. Two heavy landing thuds coincide with the bass slamming back in, and both riders immediately accelerate again.
00:22–00:27 | PURSUIT THROUGH CONSECUTIVE S-BENDS
Maintaining their momentum after landing, the riders charge into a sequence of S-bends between the support columns. The woman dives into the inside line first, with the man pursuing closely half a beat behind. Their bodies and bikes lean hard left, then right. A low front three-quarter camera rolls in sync with the bikes, keeping both riders' full bodies and the winding racing lines visible. Waist straps and hair swing with inertia while water spray and speed lines change direction and fill the frame. Exiting the final corner, both bikes come upright almost simultaneously and accelerate side by side.
00:27–00:30 | FULL-SPEED FLYBY
In a wide shot from ground level, the two bikes blast past on either side of the camera, a fraction of a second apart. A forceful rush of motors and wind accompanies the elongated teal and amber trails cutting across the frame. The camera whip-pans around to catch the riders from behind, then rises. Both riders race at full speed along the road between the elevated railway and neon buildings as the competitors' headlights reappear behind them. Cut out on a strong musical beat with the race still in motion.
[ACTION DIRECTION]
Connect the preparation, execution, and follow-through of each major action within compositions that show the riders' full bodies and bikes together. Coordinate each bike's lean with the rider's weight shift, making tire contact and landing impacts clearly visible. Hair, chains, and clothing straps respond to wind and inertia, while pouches and scabbards remain secured to the riders. Water spray and taillight trails follow the actual riding paths. Maintain continuity in the vehicles' relative positions and direction of travel, even during fast camera moves.
